Dear Le Corbusier,
I have been meaning to tell you… you are a frustrating architect I cannot escape from.
It all started in first-year of architecture school when our communications teacher assigned us a building to rebuild with Rhino. Guess what I’ve got: your infamous Villa Savoye.
I know. I know. I was fortunate in getting that building – that my friends and I could rebuild it with ease. While I was rebuilding Villa Savoye, what were your clients thinking when they were forced to compromise with living in an experimental house? How did they feel about the ramps and the spiral staircase (which was a pain to remodel)? What did they think of the bathtub (the photos make the bathroom look tiny)? Just how did they cope?
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A few evenings ago, I attended a MUPSS discussion on ‘Planning for Pandemics’. While the conversation opened up a floodgate of talking points, I am finding myself overwhelmed by topics that have surfaced in the face of this crisis.
I’ve tried many times to pen an entry to this, however, the result left me writing a two-meter long mind dump on a list of things that I wanted to say and common threads that have been mentioned in the news, conversations, and social media. Below is condensation and an overview of what I’ve written.
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Last week, I found myself in an emotional mess as I watched a pair of heroes bid their farewell to the show. It has been two days since I’ve braved myself again to finish the show I regretted binging. At this point, I have prepared myself mentally by reading the synopsis recaps to prevent myself from wallowing at the conclusion. I was already holding onto a melancholy after intensely watching the story, and I did not want it to spill into my week.
I could not be more wrong.
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This morning, I caught up on one of my favourite author’s (Rupi Kaur) writing workshop. I’ve been stuck in a writing block and rut for a while, and so participating in these has really opened up floodgates of inspirational ideas. One part of the workshop included writing list poetry - which is one of my favourites. Coincidentally, I’ve illustrated snapshots highlighting my current routine at home! Highly recommend budding writers to give the workshop a go!
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Eighteen years ago, while I was still growing up in Hong Kong, I was in a similar crisis – SARS. Yes, I know that SARS is very different from the current Corona Virus, but I can’t help but notice how the reactions have closely mirrored the present. Eighteen years ago, our worries were not as amplified. Our central source of information was restricted to television and newspaper – all we could do was monitor the numbers and statistics. Each day was a count down for us, slowly tracking the declining numbers of deaths, those who were infected and being reminded to be thorough with our cleaning. The SARS did overtake Hong Kong’s paranoia, our schools did shut down (we had online homework as well), professional practices began to introduce casual clothes into the weekdays beyond Friday to regulate our laundry habits. Public places were perfumed in bleach – the caution was evident.
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Although it can be argued that because we are rather proud of what we do, it wouldn’t be surprising that many would attack Barbie’s outfit. It may seem harmless, yet it is a reflection on how society (and our industry) views women in architecture. Must she always wear black? Just because she’s wearing a dress and carrying a helmet doesn’t mean that we can assume that it will be her official outfit for a site visit! These comments, initially said with humour can quickly become detrimental if spoken in a professional environment.
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Sometimes, I’d like to perceive Instagram as a new version of Venturi and Brown’s Duck and Decorated Shed. As Gordon-Levitt added attention to Instagram is used as a platform to attract attention – the statement is bold enough to be a ‘sign’ for the architecture firm. Let alone it can be argued that the overall profile aesthetic is the inverted shed when the account has posted enough images in a carefully planned manner. Alternatively, we can also say that capturing that one perfect image of the design becomes the Duck for the design firm, and thus we can always associate their name with that image.
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The stereotype of landscape architecture often can be confused with urban planning due to the broad concept of ‘landscape’ itself. While there can be some level of residential garden design involved in landscape architecture (most common spaces such as shared courtyards, rooftop gardens, townhouse neighbourhood garden designs), we usually design for the public realm at a multitude of scales (from urban street parks to rejuvenating degraded landscapes). To summarise, the role of a landscape architect begins in “creating spaces within our natural and built environments that respect and enhance our interaction with landscape.” (Kombol 2015, 8) The study of landscape architecture teaches the necessary skills that influence the foundation and analysis of each project design.
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Happy New Year everyone! I hope all of you have had a lovely start to 2020.
Currently sitting here with my trusty pen and paper (this has been typed up!), I have already learned a few new things about myself, and I hope that after the exciting countdown, the fireworks and festivities, we have found some kind of light at the end of our own tunnels.
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In light of my rather glum entry about unemployment, I decided to put a lighter note to this.
After speaking to my mentor on the importance of networking, I illustrated some of my experiences and feelings of job hunting*. Due to the unfortunate events of the market as of late, the competition of finding a job increased, and it’s not making it easier.
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