I came across film photography near the end of my secondary studies. At that point, while I was still aspiring to be a costume designer (possibly for the Australian Ballet), my friend had introduced me to the mechanics of film photography. Added with film portrayals of people taking their analogue SLR’s and reading Susie Salmon* taking that photo of her mother in the morning - I slowly dreamed about obtaining these mechanical wonders someday.

It would be right before I decided to move to Hong Kong for my first job that film (or 35mm) would properly cement itself as my constant hobby. After an impulse decision to visit Hong Kong as a graduation trip, I took my family’s latest point and shoot with me and dragged my friend to Choi Hung Estate to fulfil that particular Instagram Photo. It didn’t take long for me to become enamoured with the process, and soon after working in my first job in my hometown - and after the hasty purchase of my trusty Canon Ae-1, as well as constantly being asked to get out of the house to explore what the neon city has to offer, it didn’t take long for it to become my preferred photography method.